DJM-600
THE
PROFESSIONAL DJ MIXER
To
ensure the widest possible music-making flexibility, the DJM-600 is equipped
with an industry-first auto beat sampler. The sampler easily and accurately
samples phrases in a BPM-linked operation along with an improved auto beat
effector. In combination with Pioneer's CDJ Series, this advanced mixer gives
DJs everything they need to make party music really come alive.
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Click Image to enlarge |
Features: | |
| AUTO BPM COUNTER | ||
| AUTO BEAT SAMPLER | ||
| AUTO BEAT EFFECTOR | ||
| FADER START PLAY | ||
| HEADPHONE MONITOR SPLIT | ||
| CROSS FADER CURVE | ||
| PEAK LEVEL METER |
| AUTO
BPM COUNTER Equipped with a counter that automatically measures and digitally displays a track's BPM measurement range: 70-139 / 91-180 / 71-180 / Manual The DJM-600 provides a visual confirmation of a track's tempo to allow the user to merge one song into another smoothly. Also, BPMs of tracks that are difficult to measure can be manually input by tapping on the TAP button. |
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| AUTO
BEAT SAMPLER This is a new DJ function that allows you to sample your favourite sources and play them back easily at the touch of a button. The BPM is measured digitally and recorded automatically exclusively for designated beats ( 1 / 2 / 4 / 8 / 16 ) beats, Maximum interval: 6 seconds. |
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| If set to the Stand-By mode when no sound is present, the function automatically starts and stops recording in response to the presence and absence of the input signal and achieves the correct sampling with perfect timing. What's more, the user can edit the end position, making possible a wide diversity of playback effects by making use of three playback mode options and the cross fader start. | |
| SINGLE
PLAY: Plays back the recorded sound once only when the button is being
pressed. LOOP PLAY: Plays back the recorded sound repeatedly when the button is pressed. STRETCH LOOP PLAY: Extends or shortens the recorded sound in accordance with the mixed track's BPM and plays back the sound repeatedly. |
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| Sampler
info: Sampling rate: 44.1 kHz Resolution: 16 bit stereo A/D converter 20 bit Sampling time 8 second |
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| AUTO
BEAT EFFECTOR Linked to BPM, the DJM-600 can add effects to each CH, MIC and MASTER independently. The user can produce music that makes full use of high-level DJ techniques by performing quick setting with the Beat Unit Switch button, adjusting the precise time parameters, or controlling the balance between the effect sounds and the original sounds by varying the mix ratio. Moreover, even when using the fader, it is possible to leave just the effect sounds without linking to BPM. |
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DELAY: Repeats a sound once. The user can set the delay to
their desired tempo. ECHO: Repeats a sound several times. The user can set the echo sound to their desired tempo. AUTO PAN: Automatically shifts the sound to the right and left. Also capable of short auto pan sequences that would be impossible via manual operation. AUTO TRANS: Periodically cuts the sound. AUTO FILTER: Periodically varies the sound colour. FLANGER: Periodically reproduces a sound effect resembling a jet airplane ascending and descending. REVERB: Reproduces a reverberating sound effect. PITCH SHIFTER: Allows the interval to be freely varied throughout a range of +/-1 octave. With this, the user can compensate for interval changes when using Analogue turntables or for tempo changes when different makers' CD players are used. Additionally, choruses can be made by employing mix ratios. EXTERNAL EFFECT INPUT (SEND/RETURN): Allows the user to connect the mixer to an external effector or sampler, etc. |
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| HEADPHONE
MONITOR SPLIT
When the Headphone Output switch is set to MONO SPLIT, the right channel becomes the master and the left channel becomes the CH sound. Choosing Plural with the headphone cue, the user can also hear mixed sound. Moreover, this function can perform right and left level adjustment, thereby making monitoring easier. FADER
START PLAY EQUALIZERS
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| OTHER
FUNCTIONS CROSS FADER CURVE: Choose from three types of cross fader start-up option. TALK OVER: Mutes -14db all levels apart from the microphone. PEAK LEVEL METER: Allows the user to instantly determine the source input condition for each channel to make possible certain operation without loss time. TRIM: Track input level composition is available. This function is compatible with diverse sound sources. INDEPENDENT MONITOR SWITCH: Enables independent or simultaneous monitoring of each CH, MIC, MASTER and EFFECT. BOOTH MONITOR OUTPUT: Utilizing independent output terminals for booth monitor use, this function allows the sound volume to be independently controlled at the upper surface. All faders, knobs, volume controls, buttons, etc., are made to professional-grade SS-use high-durability specifications and designed to stand up to hard use. |
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Recording outputs (RCA) (New)![]() |
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| Specifications: | |
| Input Terminals | |
| CD / Line | 14dBV (200mV) / 22kW |
| Phono | 54dBV (2mV) / 47kW |
| Main Mic | 54dBV (2mV) / 3kW |
| Sub Mic | 60dBV (1mV) / 3kW |
| Return | 14dBV (200mV) / 22kW |
| Output Terminals | |
| Master Out1 (RCA) | 0dBV (1V) / 1kW |
| Master Out2 (XLR) | 4dBm (1.23V) / 600W |
| Rec Out (RCA) | 10dBV (1V) / 1kW |
| Booth Monitor | 0dBV (1V) /1kW |
| Send | 14dBV (1V) / 1kW |
| Phones | 0dBV (1V) / 22W |
| Frequency Characteristics | |
| CD / Line / Phono | 20Hz to 20kHz |
| Signal To Noise Ratio | |
| CD / Line | 87dB (with effects off) |
| Phono | 77dB |
| Mic | 69dB |
| Total Harmonic Distortion Rate | |
| CD / Line / Phono | Below 0.02% |
| Cross Talk | Over 70db |
| Channel Equalizer | |
| Hi | +12dB, 26dB (13kHz) |
| Mid | +12dB, 26dB (1kHz) |
| Low | +12dB, 26dB (70Hz) |
| Microphone Equalizer | |
| Hi | +12dB, 12dB (10kHz) |
| Mid | +12dB, 12dB (1kHz) |
| Low | +12dB, 12dB (100Hz) |
| Effector | |
| Delay and Echo | 1 to 3500mSec |
| Pan, Trans, Filter & Flanger | 10 to 16000mSec |
| Reverb | 1 to 100% |
| Pitch | 0 to ±100% |
| Miscellaneous | |
| Net Weight: | 14 lbs 9
oz (6.6 kg) |
| Dimensions (WxHxD): | 320x107x357.4
mm (12-3/8 x 4-3/16 x 14-1/16 inch) |
| Regulatory Approval | C-Tick, |